This is a huge transitional issue. With #39, the Keith Giffen period is over and Mary and I are now the full-time plotters of the book. Jason Pearson’s pencils and Al Gordon’s inks are also gone and Stuart Immonen is the new penciller. Keith actually penciled and inked a major portion of this jam issue, but I believe all of the plotting was ours.
With Keith’s departure, the tone of the book inevitably changed, and depending on one’s taste, that might have been a positive or a negative. I think most people, regardless of taste, would acknowledge that Keith was a stronger plotter than we were, but some people may have felt the book moved in a direction they were happier with. It was certainly made clear to us that a more commercial, more mainstream approach was considered to be what the book needed.
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